Directed :- Rajasekar
Producer: Aravindh
Starring :-Rajnikanth,,S.S.Chandran,Amala,Janaki,Sonia,Srividya.
Release date(s) 1989
Unnai Thaan Niththam
Maanin Iru
Enna Thaan
Ennoda Raasi
Saturday, September 8, 2007
Maapillai
Maaveeran
Produced by :-Hanumantharao
Starring :-Rajnikant,Jaishankar,Nagesh,Vijayakumar,Ambika,Sujatha,Vijayakumari
Release date(s) :-1986
Sokku Podi
Oothunghu Oothunghu
Nee Koduththatha
Hey Maina
Ezhughavae
Mr Bharath
Directed by :-Sp.Muthuraman
Produced by :-M. Saravanan,M.Balasubramaniam,M. S. Guhan
Starring :-Rajnikant,Sathyaraj,Raghuvaran,Gowndamani,Ambika
Release date(s) 1986
This was the 3rd movie for the trio combination of AVM, Rajini and the renowned director S.P.Muthuraman. So, before the release of the film all expected to be a great success. The film was a success but not a box-office hit. The story had a strong base. Satyaraj played the role of Rajini’s father in this film. The business tactics used to overwhelm Satyaraj are simply superb. The song Ennamma Kannu was super dooper hit.
Kaththirunthaen Kathava
Ennamma Kannu
En Thaayin Meethu
Pachcha Mozhaka
Murattu Kaalai(1980)
Directed by :-Sp. Muthuraman
Cast :-Rajnikanth,Rati Agnihotri,Sumalatha
Original Music by Ilayaraja
The first movie in which AVM roped with Rajini. The success journey started from here and till now the knot between them is very strong. The movie was released in the year 1980 and it was Rajini’s 64th film. The interesting fact in this movie is that AVM returned to production after 12 years and the film was a hit. The same thing with Chandramukhi, for it was Sivaji Productions. AVM manager went to meet Rajini for talking about the film. Rajini immediately sat on the back of the manager’s scooter and came to AVM studios to talk about the film. The introduction song for the hero was penned well at the same time it was sung well by Malaysia Vasudevan.
Pothuvagha En Manasu
Maamen Machchan
Entha Poovillum
Thamizh(2002)
Directed by :-Hari
Starring :-Prashanth,Simran Bagga,Nassar
Music by Deva
Thamizh (Prashanth) leads a happy life with his mother (Manorama) and sister-in-law (Urvasi). His brother(Livingston) is working in Kuwait and Thamizh too dreams of joining him there. Meenakshi (Simran), their tenant and Thamizh fall in love. When the goons of Periyavar (Ashish Vidyarthi) injure Thamizh's niece, he stops Periyavar's caron the road and questions him. He then beats up one of Periayavar's goons when insulted. This makes him Periyavar's target and though he tries to withdraw from the violence, he is forced to join forces with Rathnam (Nasser), Periyavar's sworn enemy.
Rosappu Udhaddu Mela
Azhaghana Oru Nenjam
Vikkudhae Vikkudhae
Kannukkullae Kaadhalaa
Kaadhal Yennum Jorulaa
Thamizh Mannukku
Thursday, September 6, 2007
Varenda Madureyiku
Movie :Varenda Madureyiku (Dubbed From Arjun-TELUGU Film
Cast : Mahesh Babu, Shriya, Keerthi Reddy, Prakash Raj, Raja, Sarita, Murali Mohan, Kalabhavan Mani, Rajan P Dev, Nassar
Story,ScreenPlay,Direction : Gunasekhar
Production : PN. THILAK
Music : Mani Sharma
Nandhu
Nandhu Starring :-Mahesh Babu,Trisha
Director : Solai Raja
Music : Mani Sharma
Its a telugu movie.one of star trisha played the role in this movie.forthcoming star maheshbabu played as a romantic hero of this movie.the movie was going nicely with romance and family subject.its a good movie to all people go to see that movie
Monday, September 3, 2007
Arya
Directed by :-Balasekaran
Produced by :-Manoj Kumar
Written by :-S. Rajkumar
Starring :-Madhavan,Bhavana,Vadivelu,Prakash Raj,Devan,Tejashree,Praveen Kumar
Music by Mani Sharma
Aarya has been in the cans and was ready to be released for many months now, still the very fact of Madhavan, a versatile actor featuring as the protagonist of the movie generated hugh expectations. And when Balasekaran is directing the movie, whose last works where the hit Love today and Thulli thirindha kaalam, the expectation only doubles. And when we go into the theatre we expect non stop entertainment.
The movie is about a don Prakashraj and his spoilt brat sister Bhavana, Prakashraj loves his sister and can do anything for her sake. And Prakashraj just because his sister wants to study medicine, kills a girl of the same name of her sister and joins her in the medical college. She bosses around even though she has just joined and from students to professors shiver when she is around. As whoever even dares to speak ill about Bhavana, her brother is ready to punish them. Enter Madhavan, a final year medical student, who gets transferred to Chennai medical college from Coimbatore. Madhavan stands up against Bhavana and after a few clashes she falls in love with the only person who had courage to stand up to her. When Prakashraj gets to know about this, he tries with all his might to get Madhavan’s approval. Madhavan sends him back saying he will not marry a Thug’s sister. Bhavana and Prakashraj decide on making Madhavan a rowdy so that they will be equal. The rest of the story is whether or not Prakashraj succeeds in his mission.
The movie’s story might be different but it needs a tight screenplay and Arya suffers in this main aspect. Even though logic cannot be expected from such commercial movies many a scenes are senseless to say the least. Many scenes are unwanted and many end abruptly which affects the pace of the movie. But some scenes do entertain like the one where Prakashraj decides to send the Collector and then an Inspector to talk to Madhavan about his sister’s marriage. But the Climax which is the life blood of any movie is infact the biggest negative in this film.
Performance wise a lot was expected from Madhavan but he is not in full form this time around though he looks smashing in the movie. Bhavana does impress everyone with her powerful performance, her menacing look when she threatens Thejashri, is to be seen to be believed. Prakashraj as usual steals the show, the movie picks up only after he comes back on screen. It is clearly a Prakashraj movie. Vadivel does his usual part again and makes us laugh sometimes. Apart from them no one impresses but Ponnambalam does a good cameo.
Music by Manisharma is very impressive. Madhavan’s title song “Arya” is peppy and the pick of the lot. Choreography is done keeping Madhavan in mind, they are simple yet elegant. Cinematography is one of the negative aspects of the movie, there is nothing new to talk about and in one particular scene we are able to see the camera and the rest of the unit through Madhavan’s Sun glasses. Such atrocious mistakes are unpardonable. Editing should have been more crisper. The fight sequences doesn’t gel well with the narrative.
On the whole Arya is a no show, some scenes are worth watching and people who are great fan of Prakash raj will get what they need but the director’s thought of doing anything in the name of commercial cinema bites his hand back.
The movie is about a don Prakashraj and his spoilt brat sister Bhavana, Prakashraj loves his sister and can do anything for her sake. And Prakashraj just because his sister wants to study medicine, kills a girl of the same name of her sister and joins her in the medical college. She bosses around even though she has just joined and from students to professors shiver when she is around. As whoever even dares to speak ill about Bhavana, her brother is ready to punish them. Enter Madhavan, a final year medical student, who gets transferred to Chennai medical college from Coimbatore. Madhavan stands up against Bhavana and after a few clashes she falls in love with the only person who had courage to stand up to her. When Prakashraj gets to know about this, he tries with all his might to get Madhavan’s approval. Madhavan sends him back saying he will not marry a Thug’s sister. Bhavana and Prakashraj decide on making Madhavan a rowdy so that they will be equal. The rest of the story is whether or not Prakashraj succeeds in his mission.
The movie’s story might be different but it needs a tight screenplay and Arya suffers in this main aspect. Even though logic cannot be expected from such commercial movies many a scenes are senseless to say the least. Many scenes are unwanted and many end abruptly which affects the pace of the movie. But some scenes do entertain like the one where Prakashraj decides to send the Collector and then an Inspector to talk to Madhavan about his sister’s marriage. But the Climax which is the life blood of any movie is infact the biggest negative in this film.
Performance wise a lot was expected from Madhavan but he is not in full form this time around though he looks smashing in the movie. Bhavana does impress everyone with her powerful performance, her menacing look when she threatens Thejashri, is to be seen to be believed. Prakashraj as usual steals the show, the movie picks up only after he comes back on screen. It is clearly a Prakashraj movie. Vadivel does his usual part again and makes us laugh sometimes. Apart from them no one impresses but Ponnambalam does a good cameo.
Music by Manisharma is very impressive. Madhavan’s title song “Arya” is peppy and the pick of the lot. Choreography is done keeping Madhavan in mind, they are simple yet elegant. Cinematography is one of the negative aspects of the movie, there is nothing new to talk about and in one particular scene we are able to see the camera and the rest of the unit through Madhavan’s Sun glasses. Such atrocious mistakes are unpardonable. Editing should have been more crisper. The fight sequences doesn’t gel well with the narrative.
On the whole Arya is a no show, some scenes are worth watching and people who are great fan of Prakash raj will get what they need but the director’s thought of doing anything in the name of commercial cinema bites his hand back.
Palli Koodam
Pallikoodam Starring:
Naren,Sneha,Shreya Reddy,Thankar
Director: Thangar Bachan
Music: Bharadwaj
Pallikoodam Movie Review Recently many movies have started coming which tries to bring a nostalgic feel to us. And when such a movie is directed by Thankar Bachan who introduced us to this genre with his Azhagi the expectations are soaring high. The movie is about a School which is facing problems with the owner of the land. And how they try to get help from the old students of the school. Thus starts this nostalgic emotional ride, Its about four classmates Vetrivel, Muthu, Kumaraswami and Kokila, who had studied at that school and how their life change. Vetrivel a son of a potter is the most intelligent of the lot and loves Kokila. Kokila is the daughter of a rich Jamindar who owns the school land. And there common friends are Muthu and Kumaraswami. Kumarawami is very bad at studies and tries to avoid going to schools but his father makes him to. A young and beautiful Doctor, Jhansi(Shreya) arrives at the village and becomes friend to the foursome. Jhansi slowly becomes the godfather figure to all the four. And when Muthu loses his father and becomes an orphan Jhansi takes him into his custody. Vetrivel and Kokila’s love is made public and the villager blame Jhansi and throws her out of the Village and Muthu accompanies her. What happened to Jhansi and Muthu? What happened to Kumaraswamy? Whether Vetrivel and Kokila come together? And will School escape the wrath of the land owner forms the rest of the story. The movie is based on a novel “Kalavadiya Pozhudhugal”. The novel is superbly translated into the big screen by Thankar Bhachan who is also taking care of the cinematography, Screenplay and Direction besides playing a character in the film. The cinematography side there is little to talk about but Thankar scores with his screenplay, direction and acting. For such a realistic movie there are many unrealistic scenes in-between like the starting scene where students sing the national anthem in the rain even though patriotically thought is very unrealistic and the duet between the young Vetrivel and young Kokila is a total let down. But the movie is successful in bringing out the nostalgic feeling. Some of the scenes like the meeting of Kumaraswamy who is a farmer now; meets Vetrivel who is the collector, is directed very well. The performance in the movie is of high order and all the actors compete with one another for the glory. Naren as Vetrivel, has done a wonderful job. Sneha as Kokila steals our heart with her simplicity, Thankar bachan as Kumaraswamy lives his part. Shreya Reddy as Jhansi, impresses everyone with her dignified acting. Seeman’s as Muthu, makes a confident debut. The actor who comes as the younger Kumaraswamy is a revelation with his superb comic timing and quick wit. The scene in which he drops his pen to see Shreya’s legs will surely bring the house down. But the heavy usage of artist who doesn’t even know the spelling of acting has affected the movies natural theme. Music of Baradwaj is soothing to the ears especially the “Meendum Pallikoodam pogalam” track, which lingers in one’s heart long after the audience come out of the theatre. Gana ulaganathan comes up with a remix of the old song “Nanamoo” which can get a hit status if marketed properly. Sathish does a good job as the Editor but the pace of eth movie drops in the second half, which if taken care of, would have made a big difference in the outcome of the movie. Overall the movie is well made and will be lapped up by Sub –urban people. the people who liked Azhagi will definitely like this effort from Thankar Bhachaan as well. And the heavy emotional aspect of the movie will go well with the female audience.
Source
Source
Nice Song In this Movie
More Songs From This Movie Coming S00n
Vedham
Movie Name: Vedham
Cast: Arjun , Sakshi , Vineeth , Divya Unni , Mumtaj , Koundamani , 'Venniradai' Murthy
Music: Vidyasagar
Direction: Arjun
Previous ventures helmed by Arjun were always patriotic movies likeJai Hind, Thaayin Manikkodi, etc. Perhaps buoyed by appreciation for his sensitive performance in Rhythm, he has selected a story thatpraises the importance of family and relationships for his latestdirectorial venture. So Vedham does contain an appreciablemessage but the way it has been implemented is not always so appreciable.Too many fights and unnecessary glamor(in the form of Mumtaj) dilute theeffect of the message.
When Vijay(Arjun) saves Sanjay(Vineeth) from some rowdies, he becomes his immediatebest friend and gets invited to stay at his house. Upon reaching the house, hesees that Sanjay and his wife Anita(Divya Unni) have filed for a divorce afterjust six months of marriage and takes it upon himself to unite them. To this end,he regales them with tales of his picture perfect romance and marriage with Seetha(Sakshi).
Arjun, in charge of direction too, employs frequent flashbacks instead of alinear storyline and that raises some interest in the otherwise flimsystoryline. But the two flashbacks that explain the romance and subsequentfallout of Vineeth and Divya Unni are woefully inadequate for us to identifywith their characters. There is only one duet to mark their romance. Theirfight is quite sudden but the escalation from a simple misunderstanding is quiterealistic and both of them have some sharp lines. Arjun does well not pinpointingthe blame on either.
Arjun's own flashbacks are sweet though the romance with Sakshi lacks a strongfoundation. The flashback technique works well in bringing in the right storiesthat suit the occasion. Nice ideas like the mutual respect that a husband and wife must have for each other and the importance of family are well brought out.But the means employed to convey such thoughts don't always work. For instance,Visu's false promise on his wife's head seems wrong and his subsequent long-windedexplanation doesn't explain his action either. It is only his dialogs that makesense. But Arjun seems to go against his own harping on family values with theintroduction of Mumtaj. It is a completely unnecessary role and obviously thrustin considering her current, unexplainable popularity.
The strain of taking on so many aspects of the film doesn't show on Arjun andhe gives a good performance(though the role is not really demanding). Vineeth and Divya Unni look sad and pensive at the right places and are suitablyangry during the fight. Sakshi looks very pretty but thats about all she has to do.Mumtaj, who seems to have evolved into this generation's 'Silk' Smitha with herminor roles and one-song appearances, looks fat and the fact is painfully obvious because of her skimpy clothes. The few expressions on her face make it obvious that acting is not one of her strong points. Koundamani raises his voice a lot as always but doesnt get as many chances to raise laughs.
In other aspects the movie scores some points with well-choregraphed fights, nicesongs and unobtrusive photography. Vidyasagar, who always churns out his best forArjun, stands him in good stead here too. Meenalochani... is the best ofthe lot and is catchy. Oh Anbe... has some nice beats that go well with thesong's unique picturisation. Arjun runs(and even gets to fight) throughout the song.Malai Kaatru... is melodious and soft. Arjun lives upto his 'Action King' sobriquet with several fights. Though well choreographed, the fights are definitelytoo many and most are awkwardly inserted into the story.
When Vijay(Arjun) saves Sanjay(Vineeth) from some rowdies, he becomes his immediatebest friend and gets invited to stay at his house. Upon reaching the house, hesees that Sanjay and his wife Anita(Divya Unni) have filed for a divorce afterjust six months of marriage and takes it upon himself to unite them. To this end,he regales them with tales of his picture perfect romance and marriage with Seetha(Sakshi).
Arjun, in charge of direction too, employs frequent flashbacks instead of alinear storyline and that raises some interest in the otherwise flimsystoryline. But the two flashbacks that explain the romance and subsequentfallout of Vineeth and Divya Unni are woefully inadequate for us to identifywith their characters. There is only one duet to mark their romance. Theirfight is quite sudden but the escalation from a simple misunderstanding is quiterealistic and both of them have some sharp lines. Arjun does well not pinpointingthe blame on either.
Arjun's own flashbacks are sweet though the romance with Sakshi lacks a strongfoundation. The flashback technique works well in bringing in the right storiesthat suit the occasion. Nice ideas like the mutual respect that a husband and wife must have for each other and the importance of family are well brought out.But the means employed to convey such thoughts don't always work. For instance,Visu's false promise on his wife's head seems wrong and his subsequent long-windedexplanation doesn't explain his action either. It is only his dialogs that makesense. But Arjun seems to go against his own harping on family values with theintroduction of Mumtaj. It is a completely unnecessary role and obviously thrustin considering her current, unexplainable popularity.
The strain of taking on so many aspects of the film doesn't show on Arjun andhe gives a good performance(though the role is not really demanding). Vineeth and Divya Unni look sad and pensive at the right places and are suitablyangry during the fight. Sakshi looks very pretty but thats about all she has to do.Mumtaj, who seems to have evolved into this generation's 'Silk' Smitha with herminor roles and one-song appearances, looks fat and the fact is painfully obvious because of her skimpy clothes. The few expressions on her face make it obvious that acting is not one of her strong points. Koundamani raises his voice a lot as always but doesnt get as many chances to raise laughs.
In other aspects the movie scores some points with well-choregraphed fights, nicesongs and unobtrusive photography. Vidyasagar, who always churns out his best forArjun, stands him in good stead here too. Meenalochani... is the best ofthe lot and is catchy. Oh Anbe... has some nice beats that go well with thesong's unique picturisation. Arjun runs(and even gets to fight) throughout the song.Malai Kaatru... is melodious and soft. Arjun lives upto his 'Action King' sobriquet with several fights. Though well choreographed, the fights are definitelytoo many and most are awkwardly inserted into the story.
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